Susan Pevensie (
quote_gentle_unquote) wrote2024-12-13 01:19 am
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Susan doesn't believe in the mansion spirits, but she is being followed by something in a way that makes little sense.
It begins when she wakes up. Opening the drawer to the sideboard in her room to retrieve tea, she finds another gold chess piece wrapped neatly in ribbon. Lancelot didn't put it there - it hadn't been there when she made her pre-sleep cuppa the night before, and she woke up when he did and sleepily saw him off to his training; he hadn't gone near the drawer. She shuts the chess piece firmly away, makes her tea, and dresses blearily for her own archery practice.
There's a new bow in the closet, too. To her pleasure, it's a heavier one that requires a stronger pull - she's quite got used to the draw of the ones the closet first supplied to her.
After her shooting routine, she finds a lipstick in the precise shade Ingrid used to wear on the bathroom vanity. When she's showered and dressed for the rest of her day, she finds her favorite pastry - a sort of breakfast roll she used to get from the shop by the tube station she'd walk past on her way to work, back in London - on a platter in the kitchen.
It's when she opens one of the closets in the hall off the library to return a pile of laundered wash-cloths that she receives both some clarity and a deepening of the mystery: a jumble of assembled balloons tumbles out, made of some queer material and filled with a gas that keeps them afloat. The writing on them reads: HAPPY BIRTHDAY SUSAN PEVENSIE.
She stares at them, perplexed.
Susan's birthday post! Three days (by our reckoning) and eight months (by her reckoning) early! Feel free to have your puppets run into her in any reasonable location at any point during the day; she's just going to be accumulating more Stuff she can't get rid of as the day goes on.
It begins when she wakes up. Opening the drawer to the sideboard in her room to retrieve tea, she finds another gold chess piece wrapped neatly in ribbon. Lancelot didn't put it there - it hadn't been there when she made her pre-sleep cuppa the night before, and she woke up when he did and sleepily saw him off to his training; he hadn't gone near the drawer. She shuts the chess piece firmly away, makes her tea, and dresses blearily for her own archery practice.
There's a new bow in the closet, too. To her pleasure, it's a heavier one that requires a stronger pull - she's quite got used to the draw of the ones the closet first supplied to her.
After her shooting routine, she finds a lipstick in the precise shade Ingrid used to wear on the bathroom vanity. When she's showered and dressed for the rest of her day, she finds her favorite pastry - a sort of breakfast roll she used to get from the shop by the tube station she'd walk past on her way to work, back in London - on a platter in the kitchen.
It's when she opens one of the closets in the hall off the library to return a pile of laundered wash-cloths that she receives both some clarity and a deepening of the mystery: a jumble of assembled balloons tumbles out, made of some queer material and filled with a gas that keeps them afloat. The writing on them reads: HAPPY BIRTHDAY SUSAN PEVENSIE.
She stares at them, perplexed.
Susan's birthday post! Three days (by our reckoning) and eight months (by her reckoning) early! Feel free to have your puppets run into her in any reasonable location at any point during the day; she's just going to be accumulating more Stuff she can't get rid of as the day goes on.
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He leans over and tugs the basket closer, opening the lid and making a show of considering options.
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Then she says, with a carefully-constructed blitheness, "I think we've done quite well on that front, don't you? Before I met you, I couldn't fathom wanting to live with anyone else, and now I can't imagine ever again wanting to live apart - I credit that, at least in part, to our arrangement; I'm so pleased you thought to ask whether we ought to keep on. I find--" she tilts her chin up, watching his expression "--When we started, I knew only that I liked you and wanted to see what might happen between us. I believe I might've been stumbling, at least a little." Possibly a lot. "You know how I'd not been in anything defined as a relationship before." If the phrasing on this last is unclear, it's because she's still not entirely certain how to characterize what Miriam was to her, back in London. "And now I find what we've got has surpassed my every expectation and then some. I'm so pleased you've got Laertes and Grantaire, and I've got Janet and my little flings, and most of all I'm pleased we've got each other."
She isn't being terribly successful at getting to the point, is she? She clears her throat and says, "I suppose what I'm trying to ask is, what would you like our future to hold?"
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Everything Susan has said is positive. There's no reason to placate or worry he might have the wrong response. He brushes the corner of her mouth, lightly, and strokes her hair, looking down at her and taking in the loveliness of her face, the warmth in her eyes even when she herself might be a little nervous about raising the question. She is telling him that he can choose -- that they can choose together.
"I think," he says, quietly and slowly, the caution now more of the sort that he wants to get his words just right. He pauses. "I have been terribly happy with thee. I would like for us to continue to come to know one another, and watch one another grow as we learn more of each other and ourselves. I suppose that isn't very... definitive, is it?"
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She catches his hand in her own and gives it a squeeze. "I haven't got those concerns any more. This place is ever so unpredictable, don't you think? It's hard to imagine what the future might hold. My sense of how I might like my life to unfold is so much less clear than it was in London. But I do know one thing: Whenever I envision what I should like my life to be like, a year from now, or five, or ten, I know that I want you to be part of it."
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