Susan Pevensie (
quote_gentle_unquote) wrote2024-12-13 01:19 am
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Susan doesn't believe in the mansion spirits, but she is being followed by something in a way that makes little sense.
It begins when she wakes up. Opening the drawer to the sideboard in her room to retrieve tea, she finds another gold chess piece wrapped neatly in ribbon. Lancelot didn't put it there - it hadn't been there when she made her pre-sleep cuppa the night before, and she woke up when he did and sleepily saw him off to his training; he hadn't gone near the drawer. She shuts the chess piece firmly away, makes her tea, and dresses blearily for her own archery practice.
There's a new bow in the closet, too. To her pleasure, it's a heavier one that requires a stronger pull - she's quite got used to the draw of the ones the closet first supplied to her.
After her shooting routine, she finds a lipstick in the precise shade Ingrid used to wear on the bathroom vanity. When she's showered and dressed for the rest of her day, she finds her favorite pastry - a sort of breakfast roll she used to get from the shop by the tube station she'd walk past on her way to work, back in London - on a platter in the kitchen.
It's when she opens one of the closets in the hall off the library to return a pile of laundered wash-cloths that she receives both some clarity and a deepening of the mystery: a jumble of assembled balloons tumbles out, made of some queer material and filled with a gas that keeps them afloat. The writing on them reads: HAPPY BIRTHDAY SUSAN PEVENSIE.
She stares at them, perplexed.
Susan's birthday post! Three days (by our reckoning) and eight months (by her reckoning) early! Feel free to have your puppets run into her in any reasonable location at any point during the day; she's just going to be accumulating more Stuff she can't get rid of as the day goes on.
It begins when she wakes up. Opening the drawer to the sideboard in her room to retrieve tea, she finds another gold chess piece wrapped neatly in ribbon. Lancelot didn't put it there - it hadn't been there when she made her pre-sleep cuppa the night before, and she woke up when he did and sleepily saw him off to his training; he hadn't gone near the drawer. She shuts the chess piece firmly away, makes her tea, and dresses blearily for her own archery practice.
There's a new bow in the closet, too. To her pleasure, it's a heavier one that requires a stronger pull - she's quite got used to the draw of the ones the closet first supplied to her.
After her shooting routine, she finds a lipstick in the precise shade Ingrid used to wear on the bathroom vanity. When she's showered and dressed for the rest of her day, she finds her favorite pastry - a sort of breakfast roll she used to get from the shop by the tube station she'd walk past on her way to work, back in London - on a platter in the kitchen.
It's when she opens one of the closets in the hall off the library to return a pile of laundered wash-cloths that she receives both some clarity and a deepening of the mystery: a jumble of assembled balloons tumbles out, made of some queer material and filled with a gas that keeps them afloat. The writing on them reads: HAPPY BIRTHDAY SUSAN PEVENSIE.
She stares at them, perplexed.
Susan's birthday post! Three days (by our reckoning) and eight months (by her reckoning) early! Feel free to have your puppets run into her in any reasonable location at any point during the day; she's just going to be accumulating more Stuff she can't get rid of as the day goes on.
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In the velvet bag, Susan will find a necklace1. It is understated, and just the right length to provide a good accent should she be wearing a dress with the appropriate neckline.
1: The key difference is that the primary gem is not a garnet, but a star sapphire. This is because the typist could not find an example that matched the desired necklace closely enough.
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Then she decides, to Hell with the food between them. She moves the picnic basket out of the way, setting her cheese-and-bread sandwich on its lid and propping the open bottle of wine carefully against it, and then climbs into Lancelot's lap, wrapping arms and legs alike around him, drawing him in for a deep, delighted kiss. "Go on then," she says, when she finally breaks it, pressing the necklace into his hand. "Put it on me."
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Difficult as it is to not simply kiss her, he takes the necklace and very deliberately, very carefully, places it, working the clasp with a little bit of effort.
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