Susan Pevensie (
quote_gentle_unquote) wrote2025-04-14 03:07 pm
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Susan cherishes her time in the lab with Galahad. She likes the care he takes, his attention to detail. It's lovely to know that they can work equally well in parallel, side-by-side with complimentary tasks, quiet and totally focused on their individual projects, and in collaboration. When they do speak, he's delightfully precise with his words and direct with his questions in a way that is, in turn, novel and refreshing. They've made great headway with their work, and now that the Mansion has settled into winter and there are fewer arthropods to easily discover and inventory, outside of the soil samples they continue to take and investigate under the microscope, they can settle into cataloguing and categorizing their notes from the spring, summer, and autumn. Sometimes Constance is present, too, and that's also lovely: they all get along well, and there's something ever so settling about three heads bent carefully over scientific pursuits. Typically, when Constance is there, Susan and Galahad work independently so as not to distract her, but sometimes the three of them break for tea and a brief chat. Outside of sex and archery practice, it's really one of the highlights of Susan's days.
Today's stint in the lab has been varied: Constance is elsewhere, and Susan and Galahad started with a discussion about adapting Earth-based classification systems to accommodate otherworldly species (this is a conversation that they have weekly, at the very least), and then fell into separate projects - Galahad has been drawing insects not captured in any books in the library to create a scientific field guide for their local environs, and Susan has been counting microscopic organisms in winter soil samples to compare with the measurements Lan Zhan took on the day Lan Wangji was switched out. But there's also something pressing on her conscience: the year is slipping more rapidly toward Dark, and she's been procrastinating on an essential task out of reluctance to speak to Magnus. It's high time she regain momentum.
She pushes back from the microscope, makes a careful note of the current tally of living organisms, and turns to Galahad. "When you've got a moment," she says, "I should like to show you something." Cognizant of the fact that he gets easily chilled, and to provide him with an out should he require one, she clarifies, "Outside."
Today's stint in the lab has been varied: Constance is elsewhere, and Susan and Galahad started with a discussion about adapting Earth-based classification systems to accommodate otherworldly species (this is a conversation that they have weekly, at the very least), and then fell into separate projects - Galahad has been drawing insects not captured in any books in the library to create a scientific field guide for their local environs, and Susan has been counting microscopic organisms in winter soil samples to compare with the measurements Lan Zhan took on the day Lan Wangji was switched out. But there's also something pressing on her conscience: the year is slipping more rapidly toward Dark, and she's been procrastinating on an essential task out of reluctance to speak to Magnus. It's high time she regain momentum.
She pushes back from the microscope, makes a careful note of the current tally of living organisms, and turns to Galahad. "When you've got a moment," she says, "I should like to show you something." Cognizant of the fact that he gets easily chilled, and to provide him with an out should he require one, she clarifies, "Outside."
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"Thank you," he says quietly.
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They've reached the stairs up to the little room she and Lancelot have been converting into food storage. Together they've figured out enough basic carpentry and found enough extant supplies that there's a locking door at its entrance. She opens it, and then gives Galahad the spare key. Inside, though they've not yet removed the old bed, shelves crowd every wall, and on each shelf lies food she's ferried in secret from the Mansion: preserves she's made and found; great dried meats and sausages, wheels of cheese, vats of flour and grain, and all the beer and wine that Little John had left behind. Some of the shelves are clearly attempts produced by amateurs. The skill with which they're built improves deeper into the room.
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"Thank you," again. His voice is very flat, expressionless.
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