Susan Pevensie (
quote_gentle_unquote) wrote2024-12-13 01:19 am
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Susan doesn't believe in the mansion spirits, but she is being followed by something in a way that makes little sense.
It begins when she wakes up. Opening the drawer to the sideboard in her room to retrieve tea, she finds another gold chess piece wrapped neatly in ribbon. Lancelot didn't put it there - it hadn't been there when she made her pre-sleep cuppa the night before, and she woke up when he did and sleepily saw him off to his training; he hadn't gone near the drawer. She shuts the chess piece firmly away, makes her tea, and dresses blearily for her own archery practice.
There's a new bow in the closet, too. To her pleasure, it's a heavier one that requires a stronger pull - she's quite got used to the draw of the ones the closet first supplied to her.
After her shooting routine, she finds a lipstick in the precise shade Ingrid used to wear on the bathroom vanity. When she's showered and dressed for the rest of her day, she finds her favorite pastry - a sort of breakfast roll she used to get from the shop by the tube station she'd walk past on her way to work, back in London - on a platter in the kitchen.
It's when she opens one of the closets in the hall off the library to return a pile of laundered wash-cloths that she receives both some clarity and a deepening of the mystery: a jumble of assembled balloons tumbles out, made of some queer material and filled with a gas that keeps them afloat. The writing on them reads: HAPPY BIRTHDAY SUSAN PEVENSIE.
She stares at them, perplexed.
Susan's birthday post! Three days (by our reckoning) and eight months (by her reckoning) early! Feel free to have your puppets run into her in any reasonable location at any point during the day; she's just going to be accumulating more Stuff she can't get rid of as the day goes on.
It begins when she wakes up. Opening the drawer to the sideboard in her room to retrieve tea, she finds another gold chess piece wrapped neatly in ribbon. Lancelot didn't put it there - it hadn't been there when she made her pre-sleep cuppa the night before, and she woke up when he did and sleepily saw him off to his training; he hadn't gone near the drawer. She shuts the chess piece firmly away, makes her tea, and dresses blearily for her own archery practice.
There's a new bow in the closet, too. To her pleasure, it's a heavier one that requires a stronger pull - she's quite got used to the draw of the ones the closet first supplied to her.
After her shooting routine, she finds a lipstick in the precise shade Ingrid used to wear on the bathroom vanity. When she's showered and dressed for the rest of her day, she finds her favorite pastry - a sort of breakfast roll she used to get from the shop by the tube station she'd walk past on her way to work, back in London - on a platter in the kitchen.
It's when she opens one of the closets in the hall off the library to return a pile of laundered wash-cloths that she receives both some clarity and a deepening of the mystery: a jumble of assembled balloons tumbles out, made of some queer material and filled with a gas that keeps them afloat. The writing on them reads: HAPPY BIRTHDAY SUSAN PEVENSIE.
She stares at them, perplexed.
Susan's birthday post! Three days (by our reckoning) and eight months (by her reckoning) early! Feel free to have your puppets run into her in any reasonable location at any point during the day; she's just going to be accumulating more Stuff she can't get rid of as the day goes on.
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Susan doesn't much care if people like her or not, but she does crave respect. She does fear ostracization. She prefers that people who dislike her do so accurately. She dreads inaccurate gossip that might lead someone to choose to exclude her from the conversation, generally speaking. To that end, she's loathe to jump on rumors unless it's something she can substantiate with her own experiences. And she has vanishingly few with Luo Binghe: one when she first arrived, which she barely remembers, and one when she was mourning her friend, which was naturally affected by shared grief.
But Bacchus is one of the few people here she's certain would neither lie nor attempt to manipulate the social environment to his personal preferences. There's Lancelot, of course; he prefers honest, straightforward dealings, and if ever there's a situation where he seems evasive or indirect, it's because he hasn't processed his own feelings on the matter at hand. And he's willing to put up with far more social ills than he ought. There's Galahad, who is measured serious and thoughtful and scrupulously honest in all things. There's the useless angel, who Susan assumes mightn't lie about anything, but who she still mistrusts as the depths of his uselessness might lead to misleading behaviors. And there's Bacchus himself, who is far too earnest to be dishonest. His flair for the dramatics overlays a genuine spirit. And, importantly, it's never used at the expense of others. He wouldn't spread rumors for the sake of some misbegotten end.
But months! And she hasn't heard as much as a whisper or whimper about this sort of thing. If she'd known - why, if she'd known, at the very least she might've prepared some meals for Claudius and Galahad whilst they focused on Claudius's convalescence. Multiple times?! Her brow furrows. Surely the only reason Luo Binghe walks freely around must mean that only Claudius and Bacchus know what he's done. Ought Susan have been told? Ought everyone be told, that they can be aware? They'd spread the word about Aornis as best they could last spring.
Shen Yuan is dating Luo Binghe. Her heart drops. She can't jump to conclusions about what sort of petty reasons Bacchus speaks of, but - "Someone ought to tell Shen Yuan."
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"Thank you for telling me," she tells Bacchus seriously. "Torture for any reason is unacceptable; torture for petty reasons is unforgivable. We shall take every step to support Claudius's needs in this."
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