Susan Pevensie (
quote_gentle_unquote) wrote2024-03-19 05:02 pm
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Although she realizes almost immediately what's going on (she has, after all, been fearing it, and has the greatest measure of the general contents of each room in this place), the full weight of the situation takes a day or so to hit Susan, as she flits from closet to cupboard to store-room and finds them empty save for the items she's specifically handled in the past. Her emergency closets - the ones she's been appointing - are intact; the rest seem relatively barren.
And so, she thinks, grimly, the other shoe has dropped.
Certain residents would be forgiven for imagining that Susan Pevensie might gloat, to have her worst fears proven right. A Cassandra, vindicated, smugly telling others left and right that she told them so, and they ought to have been more interested in preparations. But they would have been wrong about this, too. Distracted and panicked enough to forget entirely about her standing lunch date with Lancelot, she instead walks steadily, smoothly to her room, where she shuts the door firmly (she means to latch it, but she's so caught up in her frenzy that it slips her mind) and paces, pulling at her hair until it's half-snarled, tugged partially free from its usual crown of braids. Her other hand she keeps firmly in her pocket, clutched tight around the very last cruel new thing the Mansion had given her, right before it stopped cooperating entirely.
Water, she thinks, abruptly, mid-step. Will the water run out? But there's a lake out there, and there are trees to boil it; it might be significantly less convenient but they shan't run out of water. The taps are still flowing, but will that last? And so she fills some of the vases she's been accumulating with whatever will come from the tap, just in case she needs it later.
Then, with the wind fully out of her sails, she sinks into a seat on the edge of her bed, despondent, with her head in her hands for a spell. It might be a good twenty minutes, it might be several hours - she couldn't say. She'd been ever so worried about this - she ought to have pushed harder. She ought to have been more organized, to have really impressed upon people that they oughtn't assume that just because they've got a good thing now, it'll be there forever. But she let herself get distracted. There were other, more pressing things - things that seem ridiculous now, in retrospect. Sorting through junk papers? Getting caught up with a man to the extent where she forsook her self-appointed responsibilities for days on end? Love - if that is indeed what she feels for him - is no excuse. She should have - she could have - she ought to have -
I mustn't fall into this trap again, she tells herself, firmly, springing from her bed as swiftly as she'd sat down and striding over to the desk she'd moved into her room when she started writing her letters. (She's now missed dinner, too. The light outside is already dwindling, and the electricity doesn't seem altogether forgiving - it's working, but it's dimmer. But she oughtn't waste the few candles she'd set aside. What if they're needed more later?) It is far too easy to get caught blaming oneself until all that's left is blame. I really mustn't go back there.
But that tiny knot of cold in the center of her - the one that she'd very nearly unpicked over the past few months - tightens and grows. Grimly, she takes out paper and a pen. Her mood is dire. It's only appropriate to start the next one:
Dear Peter, she writes. I hardly know what to say to you.
She sticks the end of her pen in her mouth and chews.
And so, she thinks, grimly, the other shoe has dropped.
Certain residents would be forgiven for imagining that Susan Pevensie might gloat, to have her worst fears proven right. A Cassandra, vindicated, smugly telling others left and right that she told them so, and they ought to have been more interested in preparations. But they would have been wrong about this, too. Distracted and panicked enough to forget entirely about her standing lunch date with Lancelot, she instead walks steadily, smoothly to her room, where she shuts the door firmly (she means to latch it, but she's so caught up in her frenzy that it slips her mind) and paces, pulling at her hair until it's half-snarled, tugged partially free from its usual crown of braids. Her other hand she keeps firmly in her pocket, clutched tight around the very last cruel new thing the Mansion had given her, right before it stopped cooperating entirely.
Water, she thinks, abruptly, mid-step. Will the water run out? But there's a lake out there, and there are trees to boil it; it might be significantly less convenient but they shan't run out of water. The taps are still flowing, but will that last? And so she fills some of the vases she's been accumulating with whatever will come from the tap, just in case she needs it later.
Then, with the wind fully out of her sails, she sinks into a seat on the edge of her bed, despondent, with her head in her hands for a spell. It might be a good twenty minutes, it might be several hours - she couldn't say. She'd been ever so worried about this - she ought to have pushed harder. She ought to have been more organized, to have really impressed upon people that they oughtn't assume that just because they've got a good thing now, it'll be there forever. But she let herself get distracted. There were other, more pressing things - things that seem ridiculous now, in retrospect. Sorting through junk papers? Getting caught up with a man to the extent where she forsook her self-appointed responsibilities for days on end? Love - if that is indeed what she feels for him - is no excuse. She should have - she could have - she ought to have -
I mustn't fall into this trap again, she tells herself, firmly, springing from her bed as swiftly as she'd sat down and striding over to the desk she'd moved into her room when she started writing her letters. (She's now missed dinner, too. The light outside is already dwindling, and the electricity doesn't seem altogether forgiving - it's working, but it's dimmer. But she oughtn't waste the few candles she'd set aside. What if they're needed more later?) It is far too easy to get caught blaming oneself until all that's left is blame. I really mustn't go back there.
But that tiny knot of cold in the center of her - the one that she'd very nearly unpicked over the past few months - tightens and grows. Grimly, she takes out paper and a pen. Her mood is dire. It's only appropriate to start the next one:
Dear Peter, she writes. I hardly know what to say to you.
She sticks the end of her pen in her mouth and chews.
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Then she frowns. "There was a book on the desk a moment ago," she says. "Poetry. Did you see it?"
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She has no interest in holding herself apart from Lancelot. He's seen her at both her best and her worst since arriving here. He loves her. Whilst Susan is still trying to sort out what it means to her that she's almost certain she returns the sentiment, what's more important to her is that he's her dearest friend, her closest confidant. She trusts him, is the thing. She's worked very hard at not having secrets from him, and the closer they grow, the more she wants him to know her.
But this - this is just a little embarrassing. It feels a little juvenile. Still, perhaps it will convey her headspace of late more than her fumbling attempts to articulate her thoughts now. So she casts around and finds the book and the paper that fell out of it; when she spots it, she climbs reluctantly from his lap to retrieve it and hand it to him.
None of the letters she's written have been particularly polished, but this one has more fumbled-over than the others. There's very little of substance, yet; by the time Lancelot had arrived she'd finished barely even a paragraph despite sitting at her desk trying to get words down for ages. In between the scratched-out words and sentences, it reads:
Dear Peter,
I hardly know what to say to you. In the end I think one of your pet charges was protecting the family from outside threats - starting with Maugrim and then expanding to anything that threatened any part of the whole of Narnia, rather than just me and little Lucy and, later, Edmund. But I think by the end I had, in your eyes, become one of those threats.
But how did that come to pass? When did I stop being your little sister Susan and start being a silly woman to dismiss and revile? I believe you must have hated me, but I cannot fathom why.
As Lancelot is reading the letter, Susan goes to her bookshelf and retrieves a copy of Plato's writings and Sky Island. She withdraws the letters from those, too, and places them in front of Lancelot.
And then she waits.
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Lancelot does not look up until he has finished reading all three letters. When he does, at last, look for her his expression is very soft, full of that same love. "Oh, my heart, come here."
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She looks up at Lancelot. "How am I meant to keep things in order here, if the rules keep changing?"
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But he also hadn't quite accounted for how he would feel upon hearing it from her. He's struck by the bloom of warmth he feels, the sudden buoyant elation, the way he suddenly feels he own love for her even more fiercely. It's been a long while since he had reason to feel that, or even to recall that feeling. It is wonderful in the most literal sense.
All of this plays across his face in a flash, but the smile is solid. He takes a breath and starts to speak but then stops himself.
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Galahad said that he realized he loved Claudius when Claudius got hurt. But Lancelot's hurts are less obvious, and she's been angry about so many things for so long it's hard for her to distill what's about how he's been treated, and what's a projection about how she, herself, has been treated. It's not a useful metric. There are, she has found, very few useful metrics that can be universally applied to the question of love.
The science Susan has cared about has always been of a tangible sort: animals and their observable behavior; humans and their observable natures. She's been reading more broadly since she arrived, though, making times for things like chemistry and engineering and geology. Recently, she visited some of Einstein's work on physics. For example: Gravity warps the weft of space. Larger, more massive celestial bodies alter the direction of movement of smaller objects, and so the moon orbits the earth and the earth orbits the sun.
Susan would never classify herself as a smaller celestial body than Lancelot, but like Europa and Jupiter - in both myth and the cosmos - when she enters a room, she gravitates toward him. She looks to him and seeks his happiness; she circles around to his side. He's the same way, of course; perhaps a better analog is the binary systems she's just started to learn about. But stars are lonely and cold and ever so distant, and with Lancelot, she feels the opposite. He brings her ease. He brings her joy. After months, if not years, of prioritizing only the things that bolster her happiness, she finds herself considering his as dearly as she considers her own.
Hurt (Susan's, or Lancelot's) needn't factor into her feelings for him at all. He looks at her with palpable gladness, and she feels that same gladness welling up in her when she's with him. He's precious to her. She doesn't like showing vulnerability to most others, but with him, she knows that she's safe to reveal that soft underbelly she keeps so well-protected around everyone else. If she does, in fact, deserve something uncomplicatedly good, then it's him that she wants.
Susan Pevensie is not given to feeling certainty. She's always been less able than her siblings to take things on faith. She's too pragmatic, too practical, too fearful. She requires evidence.
But here, now, she hasn't got any questions. So perhaps, in blurting that she loves him, she's realized that she is, in fact, certain. There's no need to second-guess: she does love him, terribly much. Perhaps she's even loved him for ages. That's not important, though - this hasn't been a race. She's here now, and that's what matters. "I love you," she says again, slipping one hand into his and cupping his cheek with her other.
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